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A pair of mixed media by Milan Drojic. Custom artwork to depict the Corporate Communications Industry’s creative services such as: marketing, advertising, corporate special events, audio visual, sound, lighting, staging etc. The mediums are pastel, crayon, air brush, paint, ink and they are layered on three dimensional, cut out elements. Framed in gold coloured wood, double matted with beveled interior edges. Nicely done. Circa 1989. Excellent condition.
Ken Danby pencil drawing of his son and made into a lithograph poster to promote Danby’s show at the Gallery Moos, Yorkville, TO. Signed lower right in pen “All Best Wishes. Ken Danby”. Frame is bright gold colour metal. Frame and art size: 26″ H x 18.5″ W. Excellent condition.
Winter Montmartre 1951. Oil on board by Charles Cobelle. Fall/winter scene. Gold painted wooden frame with varnished borders. Excellent condition. Signed: “Cobelle” lower centre. Written, “Street Scene – Paris” au verso. Have BOS from gallery in Armonk, NY. Excellent condition.
Oil on board. “Paris Carousel” after F. A. Bridgman. No COA but it’s a nice painting of a Paris scene in the springtime. Well executed with multiple mini-scenes taking place. Quite interesting, in fact. Large multi-level frame is modern and very attractive. Frame size: 30″ W x 26″ H. Art size: 19.25″ W x 18.25″ H. Varnished.
Nude in Morning Chores. Oil on canvas by Robert Brackman, American 1898-1980. Brackman was an artist and teacher of Russian origin, best known for large figural works, portraits, and still life. This painting I interpret to being a maid, nude, pretending she is the mistress of the house and being waited upon. There is only one woman in that painting. Signed by the artist “Brackman” lower right hand corner. Au verso there is a hand written title by Brackman “Nude in Morning Chores” “Noank, Conn.”. Canvas is on a stretcher and is in perfect condition Circa 1955. Frame is stained and painted wood with gold highlights. Probably period with inner linen, bevelled edge fillet. I have a Letter of Guarantee & Appraisal giving provenance, from Anne French Fine Arts dated March 2004 with corporate seal. Excellent condition.
Bronze “Reclining Woman” with black patina by Fernando Botero. Signed and numbered: “Botero 3/6″ with the foundry mark just above his signature. Purchased from a dealer in Columbia and brought to Canada in 2002. The piece speaks of Botero’s creative impulse to show the strength and power of women. A fine piece of work. Excellent condition. No COA or paperwork.
Legue St. Brieuc. Watercolour by W. E. Atkinson, 1862-1926. Capturing the small seaside village of Jeouè St. Brieuc at dusk and low tide. Signed: “W. E. Atkinson. ’98.” lower right. Also the words “Legue St Brieuc” lower right. Frame could be period and repainted gold. Single dark green matt. Artwork in excellent condition.
Angell, Joseph. Georgian Silver (1714 – 1830). Four piece, Regency period (1811-1820), silver tea & coffee service, London, hallmarked 1818, 1819. Comprising: coffeepot, teapot, sugar bowl, and cream pitcher, each in pear form, the body hinged dome cover and circular pedestal foot repoussé with scrolling foliage and scroll form reserves. The reserves with genre scenes, lid with figural finial, leaf-capped scroll handles and swan neck spout. Note: in the 18th and 19th centuries, tea and coffee services were not produced, at one time, as a complete unit. Usually a 3 piece tea set would have been made, or a creamer & sugar, then the teapot would have been added and later a coffeepot. Silver was very expensive to buy during that period and as a result the wealthy purchased in this manner. It took two years to create this masterpiece. The detail is incredible and it’s easy to see the value and the amount of effort that went into producing this service. It has an oriental influence in the design and has cherubs frolicking and eating grapes. A wild boar is the main pouring handle anchor and the handles have ivory insulators. There are highly polished areas and filigree areas of infinite detail. Much of it done with a tiny punch and hammer from the back, to accomplish the background finish. A previous or original owner had a horse head engraved into the silver usually where the family crest or initials would go. Maybe it is a family crest. The silver tray is rare, Old Sheffield Plate (1743-1850) and is Circa: 1820. It’s a perfect match to the Joseph Angell silver service. I purchased the service and the tray at Fortunoff on Fifth Avenue, New York, NY. Museum quality. Exquisite.
Street Scene, Paris 1963
Oil on board. Fall/winter scene. Frame size: 17 1/2″ x 16 1/2″. Art size: 10″ H x 8″ W. Signed: “Cobelle” lower right. “Street Scene – Paris” au verso. Small, minor marks on frame, not really noticeable.
Street Scene – Paris. Oil on canvas. Fall/winter scene. Signed: “Cobelle” lower centre. Written, au verso “Street Scene – Paris”. Gold painted wooden frame with painted black borders. Minor, normal scratches, almost unnoticeable. Small, minor marks on frame, not really noticeable.
Still Life with Flowers and Jug
Oil on canvas by Charles Cobelle. Still Life, Flowers with Jug. Signed lower right “Cobelle”. Slight creasing and couple of tiny areas of missing paint – in my opinion it doesn’t hurt the amount of joy taken from the painting. Could use cleaning. Piece of paper tucked into the back that states “Charles Cobelle (2002 – 2000) Still Life Flower, Size (9×18), Signed, Cobelle”. Nicely framed in wood with gold finish. Second, inner frame with linen mat and gold, inner fillet. Frame size: 32″ H x 13.25″ W. Canvas size: 17.5″ H x 8.75″ W.
Sailing on the Seine, 1961
Oil on canvas, mounted to board. Sail boats in Paris. Frame size: 18″ x 16″. Art size: 10″ H x 8″ W. Rough hewn, wooden frame a little more grey tone than the pictures suggest. Painting is excellent condition. Signed: “Cobelle” lower centre right. Written, “Street Scene – Paris” au verso.