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Oil or acrylic on canvas by Charles Levier with a number of elements present for which he is noted. Titled and signed on the back: “La Chambre Rouge Ch. Levier”. Framed in beech wood from Italy in a blonde honey colour with gold inner edge. Frame size: 43.5″ H x 33.5″ W. Canvas size: 40″ H x 30″ W. Excellent condition.
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Oil or acrylic on canvas by Charles Levier with a number of elements present for which he is noted. Example: the bird, flowers on a table with vase, an open window in order to have a location and a physical background. This is a prime and powerful example of his work, Signed lower left in oil “Levier”. Titled and signed on the back: “La Chambre Rouge Ch. Levier”. Framed in beech wood from Italy in a blonde honey colour with gold inner edge. Frame size: 43.5″ H x 33.5″ W. Canvas size: 40″ H x 30″ W. Excellent condition.
Weight | 5.5 lbs |
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Dimensions | 4 x 33.5 x 43.5 in |
“Gloucester” England. Watercolour by François Gall 1912-1987. Down at the English waterfront on the River Severn on a blustery day at Gloucester. Signed: “F. Gall Gloucester” lower left in his typical red paint. This is a large, rare, unique painting by the post-impressionist master, François Gall. Frame is contemporary gold with matt and inner painted fillet. Excellent condition.
Fille avec au Parapluie Noir sur la Pont Neuf, Paris. Girl with black umbrella on the Pont Neuf Bridge, Paris. Oil on canvas by François Gall. An elegant woman on a bridge over the river Seine. The painting is difficult to shoot. It’s more subdued and a bit darker than most. Gall was obviously trying to capture the cloudy, rainy day, hence the umbrella and the shadows on her face. The canvas is not in perfect shape – some crazing and slightly loose on the stretcher. Thin paint, tiny canvas buckle upper centre, a bit dirty and unvarnished. However, it’s a wonderful Gall that is so “Paris” in the period of the 1950s. I have a letter from his daughter, Marie-Lise Gall explaining the painting and dating it 1950. Frame is painted carved wood with motley painted texture that shows wear but still quite serviceable. The inner frame is missing some paint. I’ve tried my best to photograph it as it looks.
“Canal with Windmill and Barge”. Large, mixed media, watercolour on paper by Max Ludby R.I., R.B.A., British 1858-1943. Windmill near Delft, Holland. Circa 1930. Incredible control of the watercolour brush strokes. The water depicted is marvelous. Mounted in handsome gold leaf, hand rubbed frame. Ref. Benezit, Vol. 5, page 655. Artwork in perfect condition.
Large acrylic on canvas by Fred Ross entitled “Dancer in Harlequin Tights”. There is a picture of it on an easel in Fred’s studio in the book “A Timeless Humanism”, by Tom Smart. Page 67. The painting was done previously, circa 1985 and positioned for the picture in 1990. Signed “Fred Ross” upper right. Purchased directly from the artist. Frame is wood with a variegated gold finish with grey stripes at the edge. There is wrapped, linen over wood, inner frame. Excellent condition. $6,000. Frame size: 42.5″ H x 26.75″ W. Canvas size: 40″ H x 24″ W. Wt: 5 lb. 2.3 kg.
Atmos clock celebrates the 150th Anniversary of the invention of the Atmos clock by Jaeger-LeCoultre – Geneva. It runs on an air pressure, bellows system that captures the difference in atmospheric pressure when it goes up or down. That change in pressure is caught in the bellows and therefore has the power to run the clock. It’s the closest thing to perpetual motion that has ever been built. This clock has three feet that can be used to level it, and there is a bubble glass to show when it is perfectly level. There is a “150″ medallion and a medallion that states the number, which is 311. The clock has been refurbished in 2007 and keeps excellent time. I might adjust it twice a year for a couple of minutes. There is a manual lever to adjust the mechanism – faster or slower. The dome is blown glass crystal and looks majestic, when it covers the clock’s movement. I have an original marketing brochure but no original packing materials. I have the instructions on starting and setting the time etc. Perfect condition.
Oil on panel by H.W. Wagner, listed Canadian artist 1889-1948. Collectors have many of his works. He did a lot of painting in Algonquin Park. This is two paintings in one. There is an oil sketch on the back with a very dark colour pallet suggesting a late day attempt at capturing the rocks and stream – it’s well done although not complete. I guess he decided to do a new painting on the other side of the panel. It is mounted in a previously used frame as there is an inscription on the back that says “Port du Collioure, France. Collioure is a coastal resort is Mediterranean Sea just North of Spanish border”. The frame is wood with a hand washed finish in dusky grey. Excellent condition.
Late 19th century, early 20th century Italian school. A spectacular oil on wood panel of a forest scene in Italy by François Visconti. An impressive “plain air” subject in the same sentiment as the Barbizon painters in France. Created c. 1870-1880s. There is a pond in the foreground and the farm home in the distance. Beautiful, old master techniques prior to the turn of the century. Wonderful composition. Period wood and gold leaf frame and newer, inner matting. Overall excellent condition. Some crazing. Minor crack in panel, far right side. Not noticeable unless you look for it. Signed lower left “F. Visconti”. (François). Excellent condition.
Oil on Canvas by Arthur Villeneuve. Signed lower right ” A Villeneuve 11 60.37 ” Assume this means that is was done in November 1960 and was number 37 in a show. The number “37″ is written on the frame on the back. Wonderful Quebec Village scene in typical, Villeneuve, abstract, three-dimensional style. Frame is period wooden baked, high gloss black. Excellent condition.
Oil on board by Maurice Verrier c. 1955. Showing a very blustery day at harbour side where boats are tethered due to bad weather. Shows strong pallet knife and brushwork. Signed “Verrier” lower right in black paint. Period painted, white-washed wood frame. Shows wear but looks good with this rugged painting. Inner linen tapered, mitred matt. Painting in excellent condition.
Oil on board by Maurice Verrier c. 1955. Capturing a vase of flowers with a minimalist colour pallet. Signed “Verrier” lower right. Outstanding, custom period painted wood and gesso frame. Also outer wooden frame painted gold. Overall in excellent condition with normal wear. Frame corners are slightly spread, easy fix.
“Bierbaum and Figures” by C. Ticcino. Fabulous pair of oils on wood panels. Glorious Italian river-scape with homesteaders. Signed “C. Ticcino” lower right. Description to the reverse “C. Ticcino – BIERBAUM AND FIGURES IN CONVERSATION, BY A LAKE WITH BOATS”, A pair of complimentary oil paintings on panels, the former signed lower right and titled to the reverse. Frame needs some minor repairs or leave as is. It’s old and original. A charming pair of oils. Painting in excellent condition.
Glorious Italian lake-scape with ruins, fishermen and villagers by C. Ticcino. A fabulous pair of oils on wood panels. Description to the reverse “C. Ticcino – BIERBAUM AND FIGURES IN CONVERSATION, BY A LAKE WITH BOATS, A pair of complimentary oil paintings on panels, the former signed lower right and titled to the reverse. Frame needs some minor repairs or leave as is. It’s old and original. Frame is carved wood and gesso. A charming pair of oils. Painting in excellent condition.
Large oil on board. Paulémile Pissarro. The flowering apple tree. This is a famous tree with the Pissarro family. Many of the Pissarros painted it. Collect a few of them and you’ll be rich. Master of oil, signed lower left “Paulémile - Pissarro” in oil. Frame is modern wood with lots of relief in gold raised, carved pattern. Inner fillet is vinyl linen and gold wood. Excellent condition.
“Vergillon Soleil”. Large oil on canvas by Paulémile Pissarro. This is a fabulous landscape. Master of oil, signed lower left “Paulémile – Pissarro 1922″ in oil. The title “Vergillon – Soleil” is inscribed on the back stringer by Paulémile and is also signed “Paulémile Pissarro”. A label states that Pissarro did not partake in the Salon in Paris during the years 1920, 1921, 1922. The frame was recently refinished (I had it done in about 1995) with gold leaf and a hand wash to tone it down. It’s on wood with lots of relief in a raised, carved pattern – very fitting. COA from the Pissarro family. Awesome! Excellent condition.
Myth is one of Rothe’s most outstanding creations. It’s a very rare, Artist’s Proof, mezzotint on heavy artist’s paper. Mezzotint is a very difficult process. The artist has to put the sheet of paper through the press a number of times, each time keeping the registration perfect and one time for each colour variation of that colour. I believe this piece was put through about 16 – 20 times – remarkable. Signed in the margin lower right: “G. H. Rothe”. Numbered: “4/15 A.P.” bottom left. An artist’s proof if more valuable because the artist does all the printing. After the proofs are done, usually the pressmen take over and copy the instructions from the artist. Titled: “Myth” bottom centre. Frame is wood with dark chocolate, smooth, matt finish with a gold metal key line – very distinctive and appropriate for this mezzotint. Double matts set the painting off nicely – off-white and dusty rose with bevelled edges. Excellent condition with some discolouration from age.
Oil on canvas by Douglas Riseborough, Well known Canadian artist living in California. He has painted murals in Hawaii, Dubai and others worldwide. As a mualist he is able to paint reality into his work as is depicted on this canvas. The bowl of water is a masterpiece and the centre of focal attention in this oil. Signed an dated upper left “Douglas Riseborough, 41″ Born in 1922. Frame dark stained, scalloped wood with gold inner fillet. Excellent condition.
Bathers at Pond. Oil on Panel by Manzana Pissarro. Circa. 1940. Swimming Pond. Subjects are (believed to be) his expectant wife and children. Signed lower right “Manzana Pissarro”. Modern frame and inner matting. Art and frame in excellent condition. I have a COA from the Pissarro family authenticating this amazing painting.
“Bouquet de roses et marguerites” Oil on Canvas by Katia Pissarro, wife of Claude Pissarro. It’s quite naive and rather beautiful. Expressive brush strokes and loads of paint give it a big, natural texture. Signed” Katia Pissarro” from the painter’s pallet, lower left. Frame is modern with dark and lighter areas – quite fitting. I have two COAs and Appraisal in hand. One from Katia herself and one from Bruce A. Capra, certified Appraiser’s Guild of America. Perfect condition.
Oil on Canvas. Pablo O’Higgins. He studied under Diego Rivera in the 1930s and ’40s. Fishermen with Onlooker. Painted wooden frame with gold leaf. Matt shows natural wear and slight soiling. Painting has a nice loose brush style and is in excellent condition. Museum label on reverse “Instituto Nacional De Bellas Artes” ‘Museo Nacional De Arte Moderno”. “Oleo Sobre Tela”, 55.5 x 75 cms. Lot #22. Wonderful Mexican, ocean, rural life scene. Circa 1940.
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