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Directions ’85. The Poster for the Annual Art Director’s Awards Show.
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Directions ’85. The Poster for the Annual Art Director’s Awards Show. Design: Sharpshooter Studios/Martin/Melsom Inc. Concept: Stan Olthius. Illustration: Desmond Montague. Mechanical Art: Maryetta Martin. Typesetter: Cooper & Beatty Ltd. Lithography: Ashton Potter Ltd. Separations: Graphic Litho Plate Ltd. Printed on Phoenix Imperial Dull White 202M. Printed in Canada. Float mounted and laminated by Lamin-8 with gold borders. Collectors’ item. $300. Size: 32″ W x 18.25″ H.
Dimensions | 32 x 18.25 in |
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A very elegant Sterling Silver Claret Jug. Art Nouveau. A Good Silver Mounted and Cut Glass Claret Jug, the top having a sparrow beak spout, hinged lid, broad band collar, and shaped handle. The body is a flared, cylindrical shape with beaded vertical lines, with a star cut base.
Fully hallmarked Birmingham, maybe 1915. Elegant, says it all. Excellent condition.
Three carved African female figures. Typical of hand carving from Tanzania. African hardwood, most likely ebony. These are a group young women going about their daily chores. One of them has a child clinging to her leg. Another is with child. Each is carrying something on their heads and each has a small sack or satchel. Please do your own research as I am not familiar with all the ins-and-outs of African carving. Very good condition. Some sign of repairs – one to the neck of one figure. The other could be the artist filling in a knot hole. They are on small, steel plates so that they stand up properly. Excellent condition.
Five carved African figures. Label on all states: “Hand Carved Made in Tanzania”. African hardwood, most likely ebony. These are a group of elderly tribesmen on the lookout for wild game. Each man is carrying a spear. Please do your own research as I am not familiar with all the ins-and-outs of African carving. No repairs visible. Excellent condition.
Persian Camel Bag made into a hall bench cushion. Hand knotted with hooks for tieing it down. Very old with finished woven back. These bags were used to transport items when crossing the desert. All bags have a story. This one is in excellent condition with silk ties to attach it to the bench. It can be used as a throw on a piece of furniture or a bed. Lovely burnt orange/blue and brown give it a warm feeling. Very good condition. $300. Size: 45″ L x 19″ wide plus the tassels and fringes. Wt: 5 lb. 2.2 kg.
Lovely Artist’s Proof, Limited Edition. Seal: “Fine Art, D*NBA*J”. “Copyright W.J. Stacey, London, W.C. 1″. Dated: Orovida 1925. Signed in pencil lower right “Orovida”. Gallery monogram on label on reverse: “An Eastern Poreen” by Orovida, Artist’s Proof, Limited Edition. Frame and matting are original to the piece and period. Frame is showing it’s typical age with some marks and dints. Easily fixed.
Market in Cuautla. Colour lithograph on paper by Pablo Esteban O’Higgins 1904-1983. That of a peasant woman vegetable seller. One of the original 250 created in 1946. The original might have been done in crayon and pastel. Signed in the margin lower right in pencil, “Pablo O’Higgins”. Appropriately framed with beige and burgundy matts with beveled inner cut. Frame is wood with bronze/gold finish. Excellent condition. This is not an inexpensive, new print that you see on eBay – it’s a true lithograph on fine artist’s paper. Excellent condition.
1987 Radio Awards Event Poster. October 22, Roy Thomson Hall, Toronto. Photography John To, Design by Julie Jenkinson Ink, Typesetting by Mainline Graphics, Colour Separation and Printing by Process Graphics, Poster Sponsor Carling O’Keefe. Float mounted and laminated with support frame on the back to eliminate warping. Black bevelled border. Collectors’ Item.
Oil on canvas by L. McIntyre, Canadian. Thought to be Algonquin Park or the Muskoka lakes in Ontario. Lovely late, fall scene with red leaves and a touch of snow suggesting mid October. Quite excellent brush and pallet knife techniques. Signed “L McIntyre” lower right in oil. Frame is modern and it and the matt have some wear and tear – easily replaced.
“La femme tenant un voile”. Woman Holding Veil. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6C, Michler Lopsinger Catalog page 177-78, #358. Full linen matting. Frame is wood with motley, gold finish. There is one tiny missing chip from the border of the frame. Excellent condition. Very rare.
“Les Tete”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6O; Michler Lopsinger Catalog page 177-78, #369. Full linen matting. Frame is wood with motley, gold finish. Excellent condition. Very rare.
“La femme a cheval”. “Woman on Horseback”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. Full linen matting. Frame is wood with motley, gold finish. Excellent condition. Very rare.
“Le Torse” (The Torso). From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also hand signed “Dali” in pencil in the margin bottom centre right. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6M; Michler Lopsinger Catalog page 177-78, #362. Frame is wood with motley, gold finish. There is a tiny piece missing from the border of the frame and normal wear and tear. Full linen matting. Excellent condition. Very rare.
“Les aigrettes”. “The Brushes”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. Full linen matting. Frame is wood with motley, gold finish. There are a couple of small pieces missing from the border of the frame and normal wear and tear. Excellent condition. Very rare. $7,600. Frame size: 21″ H x 16.75″ W. Lithograph size: 15″ H x 11″ W. Wt: 3 lb. 1.6 kg.
A very nice Sergio Bustamante paper maché toadstool. One of three in a set. All with green borders and blue sky. It has good design with all living things in harmony around the circumference. Hand painted, probably by Sergio. It seems that this is an original piece and is not a numbered item from a limited edition. It is varnished for protection. Not signed but definitely Sergio. Excellent condition with a couple of very minor marks.
A very nice Sergio Bustamante paper maché toadstool. One of three in a set. All with green borders and blue sky. It has good design with all living things in harmony around the circumference. Hand painted by Sergio. Signed: Sergio Bustamante” in black ink on the edge. It seems that this is an original piece and is not a numbered item from a limited edition. It is varnished for protection. Excellent condition with no blemishes visible.
Paper maché, by Sergio Bustamante. C.1986. This is signed and numbered “Sergio Bustamante 54/350″. Colourfully painted in the finest of detail typical of Bustamante. Small blemish on the bottom – can’t see it from the top. A very fine example of his work. Have COA and BOS dated January 1989. Excellent condition.
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