“Canal with Windmill and Barge”. Large, mixed media, watercolour on paper by Max Ludby R.I., R.B.A., British 1858-1943. Windmill near Delft, Holland. Circa 1930. Incredible control of the watercolour brush strokes. The water depicted is marvelous.  Mounted in handsome gold leaf, hand rubbed frame. Ref. Benezit, Vol. 5, page 655. Artwork in perfect condition.

An Artist’s Proof bronze, “The Hand” with black patina. Attributed to Fernando Botero. Signed and numbered: “E/A Botero 6/12″ with the foundry mark just above his signature: “Fondoria M Italy”. Purchased from a dealer in Columbia and brought to Canada in 2002. The piece speaks of Botero’s creativity that shows the strength and power of the human being. A fine example of his work that shows subtly and grace created from the lost wax technique in bronze from a foundry. Remarkable work in excellent condition. No COA or paperwork.

Woman Reading (1). Fred Ross R.C.A. Original mixed media on artist’s paper. This is a sketch to be used in a larger, masterwork called “Woman Reading” – rough full-size attached. Excellent Condition. $2,900. Framed with modern shiny metal finish with plexiglass. Frame size: 26.5″ W x 21″ H. Wt: 3lb.  1.4 kg.

Fred Ross R.C.A. Original mixed media. Label: “Landscape, St. Andrews, N.B. ’97″. Signed, Fred Ross, lower right. Excellent condition. He doesn’t paint too many landscapes – here he captured the sky and surroundings showing the ruggedness of NB. Excellent condition. $2,000. Frame size: 15.75″ W x 19.75″ H. Art size: 12″ H x 8.25″ W. Wt: 2 lb. .9 kg.

“Girl Tying Shoe”, acrylic and chalk. Signed “Fred Ross” bottom centre in pencil. “Gallerie Walter Klinkhoff Inc.” label with gallery seal attesting to authenticity. Nice gold leaf wooden frame with plain, off-white matting. Excellent condition.

Mixed Media, Fred Ross, R.C.A. Acrylic, chalk, ink. “Still Life With Tapestry Slippers” 1993. Gallery label “Galerie Walter Klinkhoff Inc. Montreal – an authentic work”. These are Sheila Ross’ house slippers. Fred thought they were fun and put them into quite a few of his paintings. This is the only composition where they are the main focus. Excellent condition.

Large acrylic on canvas by Fred Ross entitled “Dancer in Harlequin Tights”. There is a  picture of it on an easel in Fred’s studio in the book “A Timeless Humanism”, by Tom Smart. Page 67. The painting was done previously, circa 1985 and positioned for the picture in 1990. Signed “Fred Ross” upper right. Purchased directly from the artist. Frame is wood with a variegated gold finish with grey stripes at the edge. There is wrapped, linen over wood, inner frame. Excellent condition. $6,000. Frame size: 42.5″ H x 26.75″ W. Canvas size: 40″ H x 24″ W. Wt: 5 lb. 2.3 kg.

Oil and casein tempura on masonite by Fred Ross R.C.A. Signed and dated: “Fred Ross 1956″. This is a staggeringly interesting piece. I won’t try to define it here but suggest you read the written description in the book about Fred Ross, “A Timeless Humanism” by Tom Smart. You’ll notice that the boy is on the far side of the window sill but on the inside of the frame in which he is standing. Also the monkey is threading beads from the bottom upwards. The front of the scull is floating. Fred’s wife’s name, Sheila, is carved into the frame to the left of the boy’s head. Why is there an owl on his shoulder, a piece of rope hanging from the frame and a wish bone also hanging on the frame? Things to ponder when you enter this remarkable painting. This was a part of Max Stern’s collection, owner of the Stern Gallery and Dominion Gallery in Montreal.The frame is gold leaf with some red streaks and spackle.  There is a green velvet inner frame to further set the painting apart from the gold colour. Astonishing. Excellent condition. Museum quality.

Fred Ross, Still Life: “Blue Deichmann Pitcher with Summer Flowers”. Mixed Media – pastel and watercolour. Wonderful, natural arrangement and fine expression of colour. Signed “Fred Ross” lower right in pencil. Label on back dates it to ’97. Frame is wood with a baked, rose gold finish. Excellent condition. $2,200. Frame size: 21.75″ H x 17.25″ W. Art size: 12″ H x 8.25″ W. Wt: 3 lb. 1.4 kg.

Huge acrylic, chalk and collage on Masonite panel.  Another masterpiece by Fred Ross R.C.A. Entitled: “Artist in Studio” with Judith as the nude model.  It’s a fascinating piece of work in that it’s a self portrait with the artist facing us with a nude in front of him facing away from the viewer. Fred has his left foot resting on the divan that she is lying upon. Also there is an easel with another nude paining on it.  That small painting is signed: “Fred Ross” in the upper right corner and the main painting is signed: “Fred Ross’ in the extreme lower right corner. Two signatures – quite unique. Next to the artist is a spike of light coming in from a window that sheds light on the subjects from right to left – otherwise it’s a very dark room. The label is from Gallery Walter Klinkhoff stating: “Artist in Studio – Acrylic, chalk and collage 52″ x 42″ Fred Ross”  The label also has the Klinkhoff seal that gives this painting its COA. The frame is wood with gold leaf and three grey key lines as a border. There is an inner lined raised fillet that sets the painting away from the frame. Spectacular – a powerful artist’s statement and in perfect condition. Museum quality.

Late 19th century, early 20th century Italian school. A spectacular oil on wood panel of a forest scene in Italy by François Visconti. An impressive “plain air” subject in the same sentiment as the Barbizon painters in France. Created c. 1870-1880s. There is a pond in the foreground and the farm home in the distance. Beautiful, old master techniques prior to the turn of the century. Wonderful composition. Period wood and gold leaf frame and newer, inner matting. Overall excellent condition. Some crazing. Minor crack in panel, far right side.  Not noticeable unless you look for it. Signed lower left “F. Visconti”. (François). Excellent condition.

Mixed media on artist’s paper board by Maurice Verrier. Watercolour, pens and possibly in early felt marker. Classic scene from the ’40s in the Pigalle area of Paris. Signed “Verrier” lower right corner. “Pigalle” is written in the lower left corner. The frame is rough and is white washed over rough hewn wood – very effective and compatible with the rough, simplistic approach of the painting. There’s an inner painted wood fillet. Slight water mark on frame and typical watercolour on the painting. $2,900. Frame size: 22.5″ H x 18.75″ W. Art board size: 14.5″ H x 10.5″ W. Wt: 3 lb. 1.4 kg.

“Vergillon Soleil”. Large oil on canvas by Paulémile Pissarro. This is a fabulous landscape. Master of oil, signed lower left “Paulémile – Pissarro 1922″ in oil. The title “Vergillon – Soleil” is inscribed on the back stringer by Paulémile and is also signed “Paulémile  Pissarro”. A label states that Pissarro did not partake in the Salon in Paris during the years 1920, 1921, 1922. The frame was recently refinished (I had it done in about 1995) with gold leaf and a hand wash to tone it down. It’s on wood with lots of relief in a raised, carved pattern – very fitting. COA from the Pissarro family. Awesome! Excellent condition.

“Celebration of Life” is a small version of the life-sized one at the Grand Wailea Hotel on Maui, Hawaii. Bronze, custom patinated sculpture by Kenneth Shutt. Signed and dated: ” 33/40 Shutt 91″. Ken Shutt was a resident of Hawaii for 25 years before moving back to California. He invented the white patina on this sculpture and they are produced in very limited editions – this one being number 34 of 40. On a three tier, black marble base with white flecks inherent. Perfect condition.

“Peacocks”. Mixed media, gouache on paper board by Manzana Pissarro. This is an original because of the pastel textures and elements that can’t be copied. Very lovely scene of peacocks with one nosing in from out of the frame. Watercolour, pastel, gold and silver paint and gold leaf set this painting off. It is of a very high standard. Signed lower left “Manzana”. The frame is wood with gold patina with a tinge of burnt red. Textured off-white matt with painted wood inner fillet. I have a COA from the Pissarro family. Excellent condition.