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The National Magazine Awards – 10th Annual Awards Poster 1987
Lovely Artist’s Proof, Limited Edition. Seal: “Fine Art, D*NBA*J”. “Copyright W.J. Stacey, London, W.C. 1″. Dated: Orovida 1925. Signed in pencil lower right “Orovida”. Gallery monogram on label on reverse: “An Eastern Poreen” by Orovida, Artist’s Proof, Limited Edition. Frame and matting are original to the piece and period. Frame is showing it’s typical age with some marks and dints. Easily fixed.
Market in Cuautla. Colour lithograph on paper by Pablo Esteban O’Higgins 1904-1983. That of a peasant woman vegetable seller. One of the original 250 created in 1946. The original might have been done in crayon and pastel. Signed in the margin lower right in pencil, “Pablo O’Higgins”. Appropriately framed with beige and burgundy matts with beveled inner cut. Frame is wood with bronze/gold finish. Excellent condition. This is not an inexpensive, new print that you see on eBay – it’s a true lithograph on fine artist’s paper. Excellent condition.
“La femme tenant un voile”. Woman Holding Veil. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6C, Michler Lopsinger Catalog page 177-78, #358. Full linen matting. Frame is wood with motley, gold finish. There is one tiny missing chip from the border of the frame. Excellent condition. Very rare.
“Les Tete”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6O; Michler Lopsinger Catalog page 177-78, #369. Full linen matting. Frame is wood with motley, gold finish. Excellent condition. Very rare.
“La femme a cheval”. “Woman on Horseback”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. Full linen matting. Frame is wood with motley, gold finish. Excellent condition. Very rare.
“Le Torse” (The Torso). From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also hand signed “Dali” in pencil in the margin bottom centre right. The catalog reference numbers from the official Salvador Dali experts are as follows: Albert Field Catalog page 40, #68-6M; Michler Lopsinger Catalog page 177-78, #362. Frame is wood with motley, gold finish. There is a tiny piece missing from the border of the frame and normal wear and tear. Full linen matting. Excellent condition. Very rare.
“Les aigrettes”. “The Brushes”. From the series “Venus aux fourrures suite”. One of 5 erotic lithographs I have, of a rare series of 18. Publisher: Argillet, Paris, 1968. All 5 are Artist’s Proofs “E A” from the original series. Original engraving, hand coloured. Reference: AF 68-6(M) ML 362.The hand made Japon paper is spun or rag woven and is embossed flat where the image is. All are Artist’s Proofs from the original series. Dali, himself, is in this picture at the bottom. The paper is spun or rag woven and is embossed flat where the image is. The edges have a slight rag edge. An embossed “Dali” signature seal is in the margin, for authenticity, bottom right. It’s also signed “Dali” in pencil in the margin bottom centre right. Full linen matting. Frame is wood with motley, gold finish. There are a couple of small pieces missing from the border of the frame and normal wear and tear. Excellent condition. Very rare. $7,600. Frame size: 21″ H x 16.75″ W. Lithograph size: 15″ H x 11″ W. Wt: 3 lb. 1.6 kg.
“Young Painter” by Kees Van Dongen 1877-1968. 20th century French school. A limited edition coloured lithograph from the series “Le bonheur – les peintres temoins de leur temps” by Mourlot Lith. Co. Signed, numbered 25/75 and publisher’s mark in the margin. Signed in the plate and also signed in pencil bottom right, in the margin, “Van Dongen”. Ref. Benezit Vol. 3, page 756. Frame is stained wood with gloss finish. Two off-white matts with beveled edges. Label au verso states that it’s mounted with archival quality Alphmat. Excellent condition.
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